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The Man with the Golden Gun, by Ian Fleming, Kenneth Branagh (Reader)

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On 4CD's: If you try to assassinate your boss - even though brainwashed at the time - you must pay the price. To redeem himself James Bond has to kill one of the most lethal hitmen in the world: Paco 'Pistols' Scaramanga. In the sultry heat of Jamaica 007 infiltrates his target's criminal cooperative - only to find that Scaramanga's bullets are laced with snake venom. When the end comes, every shot will count.
- Sales Rank: #4838614 in Books
- Published on: 2012
- Number of discs: 4
- Original language: English
- Dimensions: 5.35" h x .59" w x 5.51" l, .0 pounds
- Binding: Audio CD
Most helpful customer reviews
24 of 24 people found the following review helpful.
hey, it's not THAT bad
By Bryant Burnette
Afraid I've got to take issue with a one-star rating for this novel. Sure, it's not the best Bond novel -- that's probably "On Her Majesty's Secret Service," although I've also got a soft spot for the unusual "The Spy Who Loved Me" -- but it's hardly a bad novel. Scaramanga, far from being a terrible villain, is actually one of the more memorable Fleming ever wrote. I enjoy the way in which he serves as a sort of dark mirror for Bond himself, and that makes me feel like Fleming was actually just trying something different with this novel. That may or may not make it one of the lesser of his Bond novels, but I think saying that it's just plain bad is an overstatement.
Anyways, if you're a Bond fan, you still ought to give the novel a look.
14 of 16 people found the following review helpful.
Did Fleming Finish This Book?
By David B. Fox
The James Bond novels have been a staple in my home for over 40 years, since I started reading them at 10 years old. I read every novel once every two years it seems, as Fleming's impeccable writing, his plots, his villians, and most of all, the decription of detail that makes reading these novels the ultimate escape.
That said, I think I know how Fleming writes...
Each time I read this book, I get a growing feeling that not only did Ian Fleming not finish the book, it seems like he wrote almost exactly HALF, and some one else took over upon his death.
As a little Fleming is better than none at all, I still read the book.
Ian Fleming wrote 007 Novels for 11 years. They are all superb, wuth the earlier, grittier ones being the best. I don't play cards, but I was sweating along with Bond while he played Le Chiffre at Casino Royale.
You get that same marvelous sense of being in the story the first half of The Man With The Golden Gun, and then the story (and the writing) seem to go wrong.
I report, you decide.
10 of 11 people found the following review helpful.
For Bond completists only
By Jeffrey Ellis
To a certain extent, it feels unfair to criticize The Man With the Golden Gun, the last of Ian Fleming's original James Bond books. It is generally agreed that Fleming, seriously ill while writing this book, died before having a chance to rewrite his initial, sketchy drafts. The book itself was rushed out by Fleming's publishers and therefore, if it often reads like a first draft that's because it is.
This is the book that finds James Bond returning to MI6 after being briefly brainwashed by the KGB. Needing to redeem himself in the eyes of M (who, in this book's rushed characterization, is at his most coldly unlikeable), Bond is sent to take out international assassin Paco Scaramanga, whose trademark is that he kills with a golden gun. As said, the entire book reads like a sketch of an idea (a short story really) and Fleming's prose and dialouge are (through not fault of his own) rough and unpolished. However, the book does have a few good points that are all the more remarkable when you consider the duress Fleming was under when he wrote it. Scaramanga is a potentially fascinating character, a wonderfully image of James Bond as if reflected in a funhouse mirror. Indeed, it is hard not to feel that if Fleming had lived to write a second draft, Scaramanga would be remembered as one of his most memorable villians, in league with Dr. No and Goldfinger. As well, there is wonderfully elegiac about the book's final chapter where Bond spends a few pages considering his legacy as a secret agent and his future in espionage. Fleming, surely knowing that this would be his final novel, uses the chapter to sum up all that he had written over the past 15 or so years and it serves as a nice tribute for the fans of the original James Bond, confirming everything that made us a fan in the first place. The Man with The Golden Gun isn't a book that accurately reflects the depth of Fleming's talent or the potential of the literary James Bond but it still has a few shiny moments that shows why Bond has endured.
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